Making shows happen.


Live music is ephemeral—here, then gone. A moment you can’t replay. My job is to bring those moments into existence. Before I became an agent, I spent 12 years touring, booking my own shows, and negotiating contracts across 14 countries. I know the road. I know the grind. And I approach every deal with an artist-first mentality—because I’ve lived it.


When you buy a ticket to a show, there’s an invisible architecture behind it. The agent is the one who books the date, negotiates the fee, sets the ticket price, and ensures the show is marketed, sold, and executed properly. When the stage lights go up, the agent’s work is already done. When they go down, the agent settles the show and makes sure the artist gets paid.


A show doesn’t just happen. Someone makes it happen. Every tour is a moving piece of art, every show a singular moment. //


• Build, lead, and nurture partnerships with artists, promoters, festivals, and venues (AdHoc, Desert Daze, Treefort, Audio Tree, folkYEAH, First Ave, Crocodile Presents, Sid the Cat, Newport Jazz Fest, Big Ears, Winter Jazz Fest)

• Design and execute unique live music experiences with artists and North American venues/promoters

• Manage over 30 clients, leading negotiations for hundreds of deals, handling outreach, marketing copy, tour routing, ticketing, contracts, and strategy for hundreds of tour campaigns per quarter

• Track industry trends to inform tour routing, festival slots, and support/co-headline packages

• Maintain performance and artist records across CRM and multiple systems (Google Workspace, Cargo)

• Generate and distribute reports (ticket counts, settlements, invoices) to artist teams throughout tour lifecycles