VIEUX FARKA TOURE & MORE.
Talent, timing, and closing the deal
I was one of 7 on a lean, high-autonomy sales team—trusted to move fast and make things happen. From day one, I had a knack for closing deals quickly and effortlessly. Even as the team expanded to seven, bringing in agents from UTA and Paradigm, I remained the top performer.
My edge? I understood the product inside and out. I didn’t just sell it—I believed in it. I saw how it could give artists a creative space to share their work, build their audience, and generate real revenue. Every pitch was tailored, every deal rooted in the artist’s needs.
The result? A slate of ephemeral, high-impact livestreams that blurred the line between art and commerce—curated experiences that resonated and converted.
Projects included: La Luz, Andrew Bird, Fat Tony, Bombino, Dopapod, Karl Denson’s Tiny Universe, Mattson 2, Boyo, Israel Nash, Vieux Farka Touré, The Soul Rebels, Jukebox The Ghost, and more.
Big vision. Real results. Moments that lasted.













